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Biographie
(*catalogue)
Solo Exhibitions (selection)
2008
The End of The Remake, Roebling Hall, New York
Music is the healing force of the universe, Catharine Clark Gallery, San Francisco (April 26 2008 - June 7/ with Reuben Lorch-Miller) www.cclarkgallery.com
Oil Paintings, Galerie Anne de Villepoix, Paris www.annedevillepoix.com
2007
HELENÉS, LivingRoom, Cologne, Germany http://www.degrussa.com
Black September, Monty, Antwerpen, Belgium www.monty.be
Le Radeau de la Macumba, Bonlieu, Annecy, France
Rough Air, Amberg&Marti, Zurich
2006
Old Works, Galerie Anne de Villepoix, Paris (w/ Sam Samore)
The future’s bright the future’s black, Out of Disaster Festival
Brotfabrik, Berlin (curated by Petra Schroeck)
2005
Munich, Susanne Vielmetter Projects, Los Angeles
The Brazil Project, Roebling Hall, New York (in collaboration w/Gary Breslin)
Constructio Infernalis, mullerdechiara gallery, Berlin
White Cube, Umea, Sweden
2004
New Landscapes, Catharine Clark Gallery, San Francisco
Damnation Road (with Miguel Gutierrez and the Powerful People), The Kitchen, New York
2003
Memories of Terror From a Safe Distance, Kunstmuseum, Solothurn *
Black September, Art Unlimited, Basel (Galerie Anne de Villepoix)
Tueur Né, Galerie Anne de Villepoix, Paris, France
Black September, Roebling Hall, Brooklyn, New York
2002
Beaufort 12, Expo 02, Arteplage, Neuchatel, Switzerland
The Last Rider, Kunsthalle Fri-Art, Fribourg, Switzerland
If you lived here you would be dead now, Roebling Hall, Brooklyn
Crash, Asbaek Gallery, Copenhagen
Them or Us, European Media Art Festival, Osnabrueck, Germany (curated by Annette Röhr and Hermann Nöring)
2000
Inundacions, CCCB, Centre de Cultura Contemporània, Barcelona, Spain (curated by Chus Martinez)
Voyages, Galerie Urs Meile Luzern, Switzerland
Teenage Riot, Halle für Kunst e.V., Lüneburg, Germany*(curated by Heike Munder and Bernd Milla)
Tueur né/Natural Born Killer, Le Parvis, Centre d'Art Contemporain, Ibos-Tarbes, France *(curated by Sylvie Froux)
St. Gervais, Centre pour l'image contemporaine, Geneva (curated by André Iten)
Apocalypso Place/Fall Season, Kunsthaus, Zurich, Switzerland (in collaboration w/ Reynold Reynolds, curated by Tobia Bezzola) *
Going All The Way, Kunstforum Baloise, Basel, Switzerland (curated by Martin Schwander)
1999
Apocalypso Place, LiebmanMagnan Gallery, New York, New York (in collaboration w/ Reynold Reynolds)
CRASH, Foerderkoje, Galerie Urs Meile, Art Cologne, Germany
Lakehurst NJ, Zeppelinmuseum, Friedrichshafen, Germany *
Action//Time//Vision (Alternative TV), Orchard Gallery, Derry, Northern Ireland *
Yellow and Red, Institute for Contemporary Art, Dunauvarnos, Ungarn, Germany
(in collaboration w/ Martin Frei and Thomas Thuemena)
Out of the Blue-Into the Black, Damasquine Gallery, Brussels
1998
New York-Serneus retour, Kulturhaus Rosengarten, Gruesch, Switzerland *
Make Believe, Stalke Gallery, Copenhagen, Denmark (curated by Christoph Doswald)*
Puzzled, Statements, Galerie Urs Meile, Art 29, Basel, Switzerland*
OEL, Galerie Urs Meile, Luzern, Switzerland
NB, Kunsthalle, St.Gallen, Switzerland (and Biefer/Zgraggen, curated by Pierre André Lienard)*
1996
How Far You Are, Passage Placette, Belluard Fribourg, Switzerland
It's the end of the world as we love it, Shed im Eisenwerk, Frauenfeld, Switzerland (in collaboration w/ Martin Frei, curated by Harm Lux)
1994
M.U.S.E.U.M., Kunstmuseum Luzerne, Switzerland* (usa-united swiss artists,
curated by Martin Schwander) *
1993
Critical Distance, ADO Gallery, Antwerp, Belgium (with OCI, curated by Luk Lambrecht)*,
Schleutelwerken, Galerie Fons Welters, Amsterdam, Holland (with OCI)
1991
SOLO, Etablissements d'en Face, Brussels, Belgium*
Selected Group Exhibitions (selection)
2008
Conceptual Art from California, NBK-Neuer Berliner Kunstverein, Berlin (curated by Kathrin Becker)
Brandstiftung, K3, Zürich (curated by Markus Weiss)
UnStern, Sinistro, Desastro, ACC Galerie, Weimar (Aug 24- Nov 2, curated by Frank Motz)
Tonight forget about your cars and houses
Union Gallery, London (15 July – 13 Sept 2008)
www.union-gallery.com
Strom des Vergessens, Aktienkeller, OK Centrum für Gegenwartskunst, Linz (May 29-July 31 2008, curated by Martin Sturm) http://www.ok-centrum.at/
Leinzell Open. Again
Silvia und Helmut Wickleder Stiftung, Schloss Leinzell (June 15-August 17)
Lucifer’s Greatest Artwork, FRED, Leipzig (May 1st - June 22, curated by Rachael Lawe) www.fred-london.com
Katastrophenalarm, NGBK, Berlin (March 28-May 19 2008) www.ngbk.de
Tlatelolco and the localized negotiation of future imaginaries, New Museum, New York (February 27, 2008 - May 4, 2008, organized by Museo Tamayo Arte Contemporáneo, Mexico City/ Jorge Munguía and Tobias Ostrander, guest curators) Museum as Hub space
YÄQ, La Planta, Guadalajara, Mexico, Nov 10-Feb 24 2008 (curated by Michel Blancsubé) http://www.laplanta.org/ (online review)
2007
The Landscape of War, San Jose Institute of Contemporary Art, Nov 10 - Jan 12, 2008 (curated by Anne Birle Veh and Cathy Kimball) www.sjica.org
Culture hors sol, 12e Biennale de l'image en mouvement, BAC, Båtiment d'art contemporain, Geneva (Oct 12-Dec 16) www.centreimage.ch (curated by André Iten)
Red Badge of Courage, The National Newark Building, Newark, New Jersey, Oct 28-Dec 15, (curated by Omar Lopez-Chahoud)
Crash. Pause. Rewind. Missoula Art Museum, Missoula, MT, USA, Sep 6-Nov 24 (curated by Eric Frederickson) missoulaartmuseum.org
Reality Crossings, 2. Fotofestival Mannheim/Ludwigshafen/Heidelberg, Kunsthalle Heidelberg / Halle_02, Mannheim, Sept 21-Oct 21 (curated by Christoph Tannert) http://www.fotofestival-ma-lu-hd.de
MANUAL cc Instructions for beginners and advanced players, Kronika Gallery, Bytom, Poland (Sep 15-Oct 1) www.kronika.org.pl
Môtiers 2007-Art en plein air, Môtiers, Switzerland, June 23-Sept 23 (organized by Pierre-André Delachaux) www.artmotiers.ch
Fluchtwege und Sackgassen/Exits and Dead Ends, Festival der Regionen, Oberösterreich (curated by Martin Fritz)*> www.fdr.at
Une question de génération, MAC, musée d’art contemporain de Lyon(F)
(curated by Michel Ritter)> MY GENERATION
Petroliania, Moscow Museum of Modern Art, Moscow Biennial
(curated by Elena Sorokina)* OEL 2nd.moscowbiennale
Reality For TV, Transmediale, Berlin
Final Cut - Medienkunst und Kino, European Media Art Festival, Osnabrueck, April 25 - May 20, 2007 (curated by Hermann Noering)
www.emaf.de
Last News, Centrum Sztuki Wspolczesnej / The Centre of Contemporary Art Laznia, Gdansk, Poland April 13 2007 - May 20 2007 (curated by exgirls)
http://www.laznia.pl
Theatrum Mundi, Galerie Anne de Villepoix, Paris, March 15th to April 28th
www.annedevillepoix.com
Space Control, ASSAB One, Milano, Italy, Mar 30-April 24 (curated by Magnus Müller) www.assab-one.org
The Landscape of War, 142Throckmorton Theatre, San Francisco (curated by Anne Birle Veh)
2006
Chocolates, Carrillo Gil Museum, Mexico City (curated by Jose Springer)Absolumental, Abattoir, Musée d’Art Contemporain, Toulouse (curated by Pascal Pique)
Collection FracPaca, Collège Niki de Saint Phalle à Sophia Antipolis
Simulationsspiele, Edith Russ Haus für Medienkunst, Oldenburg (curated by Sabine Himmelsbach)
Political Realities, Heidelberger Kunstverein, Heidelberg (curated by Johan Holten)
Photo Trafic, Centre d'Art Contemporaine, Genf (curated by Joerg Bader)
Bad News, Galeria Kronika, Bytom (curated by exgirls: Magdalena Ujma & Joanna
Zielinska)
The Culture of Fear, ACC Galerie, Leibzig (curated by Frank Motz)
Reprocessing Reality, P.S.1/MOMA, New York (curated by Claudia Spinelli) *
Un nuevo y bravo mundo, Alcala 31, Madrid (curated by El Perro) *
2005
11ieme Biennale de l'image en mouvement, "Focus_Christoph Draeger", Centre de l'Image contemporain, Geneva (curated by Andre Iten) *
Crash. Pause. Rewind. Western Bridge, Seattle (curated by Eric Fredericksen)
Screening War, ZKM Media Lounge, Karlsruhe, Curator: Thomas Thiel
Spielräume, Wilhelm Lehmbruck Museum Duisburg (curated by Cornelia Brüninghaus-Knubel)*
After the Fact, 1st Berlin Photography Festival, Gropius Bau, Berlin (curated by Jan-Erik Lundstroem)*
BROOKLinVIDEO, FUTURA, Prague (curated by Alberto di Stefano)
Documentary NOW!, TENT. Centre for Visual Arts, Rotterdam*
Reprocessing Reality, Chateau de Nyon (curated by Claudia Spinelli)*
Greater New York, P.S 1/MOMA, New York (curated by Klaus Biesenbach)*
Now's the time, Medienturm + Kunsthalle Graz (curated by Sandro Droschl)
RAF, Kunstwerke KW, Berlin and Neue Galerie, Graz (curated by Klaus Biesenbach)*
2004
In extremis, Abattoir, Musée d'Art Contemporain, Toulouse - Printemps de Toulouse*
(curated by Pascal Pique and Jean Marie Bustamante)
Crude Oil Paintings, White Columns, New York, New York (curated by Elena Sorokina)*
Open House: Working in Brooklyn, Brooklyn Museum, New York (curated by Charlotta Kotic)*Channel Zero, The Netherlands Media Art Institute, Amsterdam (curated by K. Gregos)
Terrorvision, Exit Art, New York
Playlist, Palais de Tokyo, Paris, France (curated by Nicolas Bourriaud)*
2003
Categories Post-Verité, Centro Parragà, Murcia, Spain*
Remakes, capc-Musée d'Art Contemporain, Bordeaux, France (curated by Thierry Davila)
Nothing Special, the FACT Centre, Liverpool, England
Urban Diaries, Alcala 31 Contemporary Art Center, Madrid, Spain (curated by Sabine Saschl and Martin Schwander)*
Constructed Realities, Orlando Museum of Art, Florida (curated by Sue Scott)
Disaster Areas, The Glass House, Amsterdam, Holland (curated by Ulay)
The Reconstruction Biennial, Exit Art, New York, New York
Mursolaici, Centre Culturel Suisse, Paris, France (curated by Michael Ritter)
2002
Intimate, Paco des Artes, Sao Paulo, Brazil*
Artists' Games, Public's Games, Kunstverein, Ulm, Germany (curated by Brigitte Haussmann)
GewaltBilder - Zur Aesthetik der Gewalt (Violent images - Aesthetics of violence),
Museum Belrive, Zurich, Switzerland (curated by Peter Stohler)/
(traveled to Museums Quartier, Fischer-Von-Erlach Trakt, Vienna*
Superlounge, Gale Gates, New York (curated by Andrea Salerno and Mari Spirito)
Big Social Game, 2nd Torino Biennial, Torino, Italy (curated by Michelangelo Pistoletto)*
Independent, Liverpool Biennial, Liverpool, England
Self/ In Material Conscience, Fondation Sandretto, Torino (curated by Eric Magnion)
Game Show, MassMoca, Massachussets Museum of Contemporary Art, North Adams, MA
2001
Highlights from the Permanent Collection, Whitney Museum of American Art, New York
Wald/Explosionen, Helmhaus Zurich, Switzerland (curated by Simon Maurer)*
Brooklyn!, PBICA, Institute of Contemporary Art, Palm Beach, Florida
Impakt Festival, Centraal Museum, Utrecht, Holland*
Play is the Thing, Whitney Museum of American Art, New York, New York
The Body of Art, Bienal de Valencia, Spain (curated by A. Bonita Oliva)*
Endtroducing, Villa Arson, Nice, France*
2000
International Videoprogam, 7th Biennal, Havana, Cuba
No Vacancies, Barbara Thumm Gallery, Berlin, Germany (curated by Angelika Richter)
Grauer Star, Kunstmuseum Chur, Switzerland*
Domiciles, Centre d'Art Tanlay, Perrigny, France, (curated by Jaques Py)*
Katastrophen und Desaster, Folkwang Museum, Essen, Germany (curated by Gerhard Finckh)*
1999
Video aus der Sammlung, Kunsthaus Zürich, Switzerland (curated by Tobia Bezzola)
Cinema, Cinema - the Cinematic Experience, Stedelijk Van Abbe Museum, Eindhoven,
Playtime, Magasin, Grenoble, France*
Ailleurs 4, Attitudes @ ACC Galerie, Weimar, Germany
1998
Reservate der Sehnsucht/Zones of Desire, Unionbrauerei, Dortmund,
Biennale de l'image: De tres courts espace de temps, Centre nationale de la photo, Ecole des Beaux-Arts, Paris, France*
1997
Speed, 2nd Biennal, Kwangju, Korea* (curated by Harald Szeemann)
VideoVision 2, El Haganar, Cairo, Egypt (curated by Silvie Defraoui)
Young Art, Mamco, musée d'Art contemporain, Genf, Switzerland (curated by Lionel Bovier)
P.S.1 International Studio Show, Clocktower Gallery, New York*
Disaster and Recovery, The Swiss Institute , New York, New York
1996
Young Art, Kunsthalle, Bern, Switzerland
Bounds of Boundlessness, NGBK, Berlin, Germany*
1995
Vision-Illusion-Reality, Kunsthaus, Zürich, Switzerland (curated by Harald Szeemann)
Jedes Haus ein Kunsthaus, Museum für Gestaltung, Zürich, Switzerland (curated by Martin Heller)
1994
Prospectus, Laeken-Brussels, Belgium,(curated by Phillipe Braem)*
Photographies, Galerie Rodolphe Janssen, Brussels
Musée d'Art et Histoire, Neuchâtel, Switzerland*
1993
Members Only, Charles Poy Gallery, Barcelona, Spain*
1992
In the Cold, Kunsthalle Luzerne, Switzerland*(curated by Stefan Banz)
Selected Video Screenings
2008
Signals in the Dark: Art in the Shadow of War, Blackwood Gallery, Toronto (Curated by Séamus Kealy) http://www.blackwoodgallery.ca/Exhibitions.html
2007
Experimenta, London Film Festival, British Film Institute
OK. Video Militia, 3rd OK International Video Festival in Jakarta, Indonesia
Transmediale, Berlin
2006
FICCO 2006, Mexico City
Contemporary Arts Centre, Videozone, Tel Aviv
Montevideo, Amsterdam
2005
Project het Langhuis en De Stad Als Theater, Zwolle
Biennal de l’image contemporain, Centre pour l’iamge contemporain, St. Gervais, Geneva
Galeri Nasional, "OK videoFestival", Jakarta, IndonesiaTrampoline
Transmediale, Volksbühne, Berlin, Germany
Transat Vidéo, FRAC Caen, France
Bartos Theatre, MIT List Visual Arts Center, Cambridge, curated by John Gianvito
Volts&Visions, Zurich, Switzerland
2004
Attitudes, Geneva, Switzerland
Impact Festival, Utrecht, Holland
Kurzfilmtage Winterthur, Switzerland
Swiss Video, Museum of contemporary art, Vilnius
Museo Tamayo, Mexico City
Argos Festival, Brussels
Capacete, Rio de Janeiro
2003
5ème edition, Le-Maillon, Théàtre de Strasbourg, France, La Nuite Art Vidéo
The Last News, Impact Festival, Utrecht, Holland
MAD 03 Festival, Madrid
2002
ATA, Other Cinema, San Francisco, California
Bilbao Film Festival, Spain, State of the EmergencyMuseum Reina Sofia, Madrid, Spain, Cine y Casi Cine (curated by Berta Sichel)
Hardware Medien Kunstverein Dortmund, Germany, Blind Dates
Migros Museum of Contemporary Art, Zurich, Switzerland
Oberhausen Filmfestival, Germany, State of Emergency (curated by Florian Wüst)
New Museum of Contemporary Art, New York, New York
The Poetry Project at St. Marks Church, New York, New York
2001
The Lux Centre, London, England, Pandaemonium, Biennial of Moving Images
2000
Forum Itinerant, Strasbourg, France
Tramvideo, Lyon, France
Popifilm, Rotterdam Vera, Groningen, Holland
De Balie, Amsterdam, Holland
1999
Documentary Film Festival, Duisburg, Germany
VIPER, International Video und Film Festival, Luzern, Switzerland
Chicago Underground Film Festival, Chicago, Illinois
New York Underground Film Festival, New York, New York
Le Club du Capitain Pip, Centre d’Art Contemporain Espace Jules Verne, Bretigny sur Orge, France
Centre d’image Contemporain St. Gervais, Geneva, Switzerland
Tramvideo, Lyon, France
1998
Kino Loge, Winterthur, Belgium*
The Videoroom Festival, Ocularis, New York, New York
Lost & Found, De Waag, Amsterdam, Holland
Grants and Residencies
2008
Pro Helvetia residency in Cairo, Egypt
2007
Residency at CCA, Centre of Contemporary Art, Ujazdowski Castle, Warsaw
2006
Residency at Springhill Institute, Birmingham (UK)
2005/2006
Residency of the Landis&Gyr Foundation in London
2005
Grant of the Kanton Zürich
2004
Grant of the City of Zurich
Bessie Award of the New York Performance Arts Association for best set-design in 2004 (Damnation Road at The Kitchen)
2003
Grant Steo Foundation, Küssnacht
2002
Residency at Headlands Center for the Arts, Sausalito, California
Residency at Faxinal des Artes, Parana, Brazil
1999
Promotion Grant of the Graubünden Government /Förderpreis der Bündner Regierung
1996-1997
P.S.1, Institute for Contemporary Art, Long Island City, New York,
International Studio Program, Studio of Switzerland
1995
Kiefer-Hablitzel Award
1994
Swiss National Art Award
Kiefer-Hablitzel Award
Award of the Club 51, musée d'Art moderne, Lüttich 1990
1991
Grant of the Landis&Gyr Foundation /Landis&Gyr Stipendium
1991-2004
Div Grants of the Art Council of Graubünden
1991-2007
Div Grants of Pro Helvetia, the Art Council of Switzerland
Education
1990-1991 Ecole Nat. Superieur des Arts Visuels de la Cambre, Brussels, Belgium
1986-1990 School of Visual Arts Luzerne, Switzerland
Selected Public Collections
Centre Pompidou, Paris
Frac PACA, Marseille
Whitney Museum of American Art, New York, New York
Brooklyn Museum, New York
Kunsthaus Zurich, Switzerland
Buendner Kunstmuseum, Chur, Switzerland
Kunstmuseum Luzern, Switzerland
City of Chur, Switzerland
St. Gervais, Centre pour l’image contemporaine, Geneva, Switzerland
Musée d’Art et Histoire, Neuchatel, Switzerland
Kunstmuseum, Bern, Switzerland
Kunstmuseum Solothurn
Communauté francaise, Brussels, Belgium
Selected Private Collections
West Collection at SEI Investments, Oaks, Pennsylvania
Collection of Robert Chaney, Houston
Western Bridge, Seattle, WA
Collection of Baloise Insurances, Basel, Switzerland
Collection of Winterthur Insurances, Zurich, Switzerland
Collection Ringier, Zurich, Switzerland
Selected Bibliography
Monographs
"M.U.S.E.U.M.", 1994
Catalogue Kunstmuseum Luzern (with ©usa-united swiss artists)
Text by Hanspeter Wittwer
“Critical Distance - OCI and Christoph Draeger”, 1993
Catalogue ADO Gallery Antwerp and Fons Welters Gallery, Amsterdam (with OCI-Office for Cultural Intellegence)
Text by Martin Frei
“NB, New York-Berlin", 1997
Catalogue Kunsthalle St. Gallen (w/Biefer-Zgraggen)
Text by Pierre-Andre Lienhard, Hat der Weltuntergang schon stattgefunden?, 1998
“Disaster Zone”, 1999
Catalogue Orchard Gallery Derry/ Zeppelinmuseum Friedrichshafen/ Kulturhaus Rosengarten, Grüsch
Texts by Daniel Binswanger: Zur Lokalisierung der Endzeit/ Patraig Timonee: Good Old Douglas Bader, Bad Old Andreas Baader/ Dr.Dirk Bluebaum : Die Sicherheit des Risikos/ Trans Press NY
“Toutou, Tueur né/ Apocalypso Place”, 2000
Catalogue Halle für Kunst, Lüneburg and Centre d’art contemporain Ibos-Tarbes
Texts by Sylvie Froux, Bernd Milla and Heike Munder/ Revolver Press, Frankfurt
“Memories of terror from a safe distance”, 2003
Catalogue Kunstmuseum Solothurn
Texts by Christoph Tannert and Katharina Ammann/ Revolver Press, Frankfurt
Articles
Luk Lambrecht, "Solo - Etablissement d'en face, Brussels,” DeMorgen, 9/1991
Catalogue Members Only, Charles Poy Gallery, Barcelona, Spain
Catalogue, Critical Distance-OCI and Christoph Draeger, text by Martin Frei, ADO Gallery Antwerp, 1993
Jean-Paul Jaquet, "voyages apocalyptiques,” Etant donné, Brussels, 5/1993
Catalogue Preisträger Bundesstipendium, Musée d'Art et Histoire, Neuchâtel
Lino Polegato, "Construire la destruction,” Flux News, Liege,9/1993
Catalogue, Prospectus, Laeken-Brussels, curated by Phillipe Braem
Catalogue Attitudes, Geneva, 1994
Margaret Jardas, "4 junge Schweizer-Filiale Basel,” Basler Zeitung, 3/95
Thomas Seelig, "Christoph Draeger,” Pakt-Zeitschrift für zeitgenösische Kunst, 1/96
Catalogue Bounds of Boundlessness, NGBK, Berlin
Paolo Bianci, "Apokalyptische Reisen,” Kunstforum 137, 6/97
Christoph Doswald, Interview, Facts 12/97
Catalogue Young Art, Mamco, musée d'Art contemporain, Geneva (curated by Lionel Bovier)
Catalogue Speed, 2nd Biennal, Kwangju, Korea* (with Martin Frei, curated by Harald Szeemann)
Catalogue Reservate der Sehnsucht/Zones of Desire, Unionbrauerei, Dortmund (curated by Hardware)
Catalogue Biennale de l'image: De tres courts espace de temps, Centre natiaonale de la photo, Ecole des Beaux-Arts, Paris, France
Pierre-Andre Lienhard, "Hat der Weltuntergang schon stattgefunden?", catalogue NB, 12/98
Edith Arnold, "Immer modischer,” Interview, Neue Luzerner Zeitung, 3/98
Maria Vogel, "Aestetisch untadelig vorgefuehrte Katastrophen,” Neue Luzerner Zeitung, 4/98
Cecile Bourne, "Feel Lucky, Punk??!,” catalogue Biennale de l'image Paris, 1998
Pascal Beausse, "Zoe Beloff/Christoph Draeger After-images,” Art Press 235, 5/98
Gerhard Mack, "Heulende Sirenen im Telekolegg,” NB-Kunsthalle St. Gallen, Tagblatt 2/98
Samuel Herzog, "Schaschlik aus Half Brain und Dirty Harry,” videoforum ART 29, Basler Zeitung 6/98
Catalogue “Make Believe”, Christoph Doswald, "Make Believe: Artistic Self-Assertion in the Age of Autopoetic Simulation,” Stalke Gallery, Kopenhagen, 1998
Gerhard Mack, "Seine Kunst ist eine einzige Katastrophe,” CASH, 8/98
Gisela Kuoni, Christoph Draeger/Martin Frei bei Luciano Fascati, Kunstbulletin 9/98
Gisela Kuoni, Leben auf dem Vulkan, Buendner Zeitung, 8/9/98
Peter Masüger, Katastrophen und Klischees, Buendner Tagblatt 30/9/98
Werkgespraech mit Dorothea Strauss, catalogue Galerie Luciano Fascati, Chur Oct 98
Gisela Kuoni, Die Katastrophe als Kunstwerk, Buendner Zeitung, 18/9/98
Gisela Kuoni, "Von Katastrophen im Prättigau,” Buendner Zeitung 10/98
Peter Masüger, ”NY-Serneus-retour,” Buendner Tagblatt 11 98
Catalogue “Cinema, Cinema”, , Van Abbe Museum Eindhoven 2/99
Catalogue Playtime, Magasin, Grenoble
Bernhard Marcelis, ”Christoph Draeger/Galerie Damasquine,” Artpress 246, 5/99
Catalogue “Art At Ringier 1995-1998”, Beatrice Ruf, “Christoph Draeger,” 99
Marius Leutenegger, “Christoph Draeger: Un Ga Nai-Bad Luck,” Feature in Hangar 21, 6/99
”Action/Time/Vision,” The Guardian, 7/99
Patraig Timonee, ”Christoph Draeger/The Orchard Gallery,” Art Monthly, 9/99
Catalogue “Disaster Zone”, monograph, Orchard Gallery Derry/ Zeppelinmuseum Friedrichshafen, Kulturhaus Rosengarten Grüsch; texts by Daniel Binswanger, “Zur Lokalisierung der Endzeit,”/ Patraig Timonee, “Good Old Douglas Bader, Bad Old Andreas Baader”/ Dr.Dirk Bluebaum, « Die Sicherheit des Risikos »
Catalogue Cinema, Cinema - the Cinematic Experience, Stedelijk Van Abbe Museum, Eindhoven (curated by Marente Bloemheuvel and Jaap Guldemond), text Christoph Doswald, “Apocalypse, Now?”
Beat Stutzer, ”Die Aura des Todes als Bildthema,” Die Südostschweiz, 9/99
Johannes Hedinger, Horrorskop, Saiten, St. Gallen, 11/99
”Christoph Draeger, Apocalypso Place,” Contemporary Visual Arts #26, London, 12/99
Joyce Korotkin, “Christoph Draeger&Reynold Reynolds @ LiebmanMagnan Gallery,” NY Arts, New York, 1/2000
Kim Levin, “Christoph Draeger,” ShortList, Village Voice, New York 1/18/00
Phil Johnson, “Christoph Draeger & Reynold Reynolds,” Art Guide, New York Times, 1/14/00
Frank de Neeve, Zwitserse ramptoeristen in Japan, de Filmkrant, Holland, 2/00
Catalogue Katastrophen & Desaster, Folkwang Museum Essen, text Sabine Russ, “Spiel mit dem Ernst”
Catalogue Domiciles, Centre d’Art Tanlay, Perrigny,(curated by Jaques Py)
Catalogue The Body of Art, Bienal de Valencia, Spain (curated by Archile Bonita Oliva)
Catalogue Unter Wasser, Museum Belrive, Zurich
Jaqueline Frank, “Unglückspuzzle,” Basler Zeitung, Basel, 2/00
Catalogue Toutou, monograph, Tueur né/Natural Born Killer, Le Parvis, Centre d’Art contemporain, Ibos-Tarbes, France (curated by Sylvie Froux)/ Teenage Riot, Halle für Kunst, Lüneburg 2001 (curated by Heike Munder and Bernd Milla)
Phillip Kaiser, “Going All the Way,” EIKON, Vienna, 5/00
Catalogue Endtroducing, Villa Arson, Nice, France (curated by Laurence Gateau)
Rainer Ganahl, “Apocalypso Place,” Zing Magazine, New York, 6/00
Chus Martinez,”Un Ga Nai-Bad Luck-Mal Suerte,” TRANS 7, 5/00
“Voyages Apocalyptiques,” Feature, List Magazine #1, New York, 6/00
Heather Stephens, “The Power of Nature,” Feature, www.studio-visit.com, 9/00
Barbara Basting, ”Katastrophenlust, latenter Zynismus,” Tagesanzeiger Zurich, 13/9/00
Ludmilla Vachtova, ”Optische Attacken auf die Klassiker,” Weltwoche 9/00
”Draeger et Reynolds font des rêves d’apocalypse,” La Liberté, 23/9/00
David Signer, ”Trashkunst gegen die Einsamkeit,” Magazin, 23.9.00
Nina Gülicher, "Vom Pendeln in den (Film- und Spiel-) Realitäten, blitzrevue.de, 9/00
André Iten, Fascination morbide?”, L’HEBDO, 5/10/00
Marie-Louise Nigg, “Sintflut mit Groove und Funfaktor,” Zürichsee Zeitung, 7/10/00
Dunja Stacovitz , ”The Vanity of Bonfires,” Feature, Style Magazine, Berlin, 11-12/00
Claudius Seidl, ”Nach dem Weltuntergang,” Feature, Süddeutsche Zeitung-Magazin, 30/3./01
Christoph Doswald, “Kritische Reflexionen über Medien und Katastrophen,” Bilanz/Art Guide, 01
Catalogue Wald/Explosionen, Helmhaus Zurich (curated by Simon Maurer)
Jerry Saltz, “Screen Savers/LITE,” Village Voice, 7/01
Kim Levin, “Only the Best-Fall Arts Preview,” Village Voice, 11/01
Gary Schwan, “Museum Head: Video must go on,” Palm Beach Post, 12/9/01
Holland Cotter, “When reality overtakes art,” New York Times, 9/01
Martin Suter, “Von der Wirklichkeit überholt,” 11/01
Sarah Bayliss, “New York artists recover and regroup,” Boston Globe, 7/10/2001
Lars Movin, “Disaster World,” Information, Denmark, 23/10/01
Stefan Lüddemann, “Statt der Pfeile treffen Flugzeuge den heiligen San Sebastian,” Osnabrücker Zeitung, 26/10/01
Monica Sanchez Argiles, “Christoph Draeger. Declive y Renacimiento,” Lapiz, 178, 12/01
Catalogue Big Social Game, 2nd Torino Biennial, Torino (curated by Michelangelo Pistoletto)
Jeff Hughes, “Destroy and Reclaim,” New Art Examiner, 5/02
Catalogue Night Vision, University Art Gallery, Normal, Illinois (curated by Joy Garnett)
“Self-Portrait,” Tema Celeste, 7/02
Kathy Battista and Mark Morris, “Thinking Small,” Contemporary, 12/02
Catalogue Intimate, Paco des Artes, Sao Paolo, Brazil (curated by Daniela Bousso)
“Mouvement, ” Culture Contemporaine, 3-4/03
Catalogue Urban Diaries, Alcala 31 Contemporary Art Center, Madrid
(curated by Sabine Saschl and Martin Schwander)*
Review, The New Yorker, 3/11/03
Blake Gopnik, “Armory Fair: Standouts In a Crowd,” Washington Post, 3/13/03
Daniel Kletke, “Kunst und Gewalt,” Kunst und Kirche, 7/03
Catalogue “Memories of terror from a safe distance”, monograph, with texts by Christoph Tannert and Katharina Amman
Catalogue GameArt, Weltkulturerbe Stahlwerke Völklinger Hütte, Völklingen, Germany*
Roland Ducommun, “Die Faszination von Terror und Katastrophen,” Solothurner Tagblatt, 15/09/03
Eva Ruhrfeind, “Schreckensbilder-Katastrophen aus sicherer Distanz,” Aargauer Zeitung/Oltener Tagblatt/Solothurner Zeitung, 15/09/03
Konrad Tobler, “Terror-aus sicherer Distanz,” Solothurner Tagblatt, Thuner Tagblatt/Berner Zeitung/Berner Oberländer, 23/09/03
Hans Baumann, “Katastrophen zwischen Abbild und Fiktion,” Der Bund, 23/09/03
Annelise Zweks, “Verführung oder Entlarvung?” Bieler Tagblatt, 2/10/03
Claudia Spinelli, “Konsumierbare Katastrophen,” Weltwoche 41, 2003
“Kunstmuseum Solothurn: Christoph Draeger,” Basler Zeitung, 18/10/03
“Kunstmuseum Solothurn: Christoph Draeger,” Magazin, 10/03
“Aus sicherer Distanz,” Neue Zürcher Zeitung, 1/11/03
Catalogue MAD 03, Segundo Encuentro de Arte Experimental, Madrid
Audrey Mascina, “Apocalypse Culture; Reynold Reynolds and Christoph Draeger,” Blast #9, 10/03
Catalogue Categories Post-Verité, Centro Parragà, Murcia (curated by Bert Sichel)
Kenneth Baker, “Christoph Draeger’s jigsawed photos of tragedies give viewer lots to puzzle over,” San Francisco Chronicle, 09/25/04
Catalogue Playlist, Palais de Tokyo, Paris, France (curated by Nicolas Bourriaud)*
Catalogue Open House: Working in Brooklyn, Brooklyn Museum, New York (curated by Charlotta Kotic)
Catalogue In extremis, Abattoir, Musée d’Art Contemporain, Toulouse – Printemps de Toulouse*
(curated by Pascal Pique and Jean Marie Bustamante)
Das Magazin, Feature “voyages apocalyptiques”, 22.1. 2005
Max Glauner, “Kartographien des Horrors-Christoph Draeger inszeniert das Unheimliche”, Zitty, Berlin, 3.2.05
TAZ, Brigitte Werneburg, Constructio Infernalis, 26.1.2005
Mentaler Terror, Peter Herbstreuth rechnet mit dem Gröbsten, Tagesspiegel, 22.1.2005
Catalogue Die RAF Ausstellung, Kunstwerke KW, Berlin and Neue Galerie, Graz (curated by Klaus Biesenbach and Elena Blumestein)*
Catalogue Greater New York, P.S 1/MOMA, New York (curated by Klaus Biesenbach)
Catalogue “Reprocessing Reality”, Chateau de Nyon-P.S.1/MOMA, New York, edited by Claudia Spinelli
Catalogue “Spielräume”, Wilhelm Lehmbruck Museum
Catalogue Documentary NOW!, TENT. Centre for Visual Arts, Rotterdam
Catalogue After the Fact, 1st Berlin Photography Festival 2005 (curated by Jan-Erik Lundstroem)
Ken Johnson, Christoph Draeger and Gary Breslin at Roebling Hall, New York Times Art Review
Flash Art, Review Roebling Hall show, May/June 2005
Catalogue “Feinmotorik Kompendium”, Lexikon der Feinmotorick, hg von Marc Matter, Maasmedia Vol.23, 2005
Attitudes 1994-2004, Jean Paul Felley & Olivier Kaeser, Edition Fink, 2005
“Focus_Christoph Draeger”, _11E Biennale de l’image en mouvement, Centre de l’image contemporain, Geneve, JRP Ringier, 2005
Feature, Sleek magazine, Berlin, March 2006
Catalogue “Un mundo bravo et nuevo-Brave New World”, Alcala 31, edited by El Perro, 2006
“Modellkatastrophen und das Puzzle der Rezeption”, Sebastian Baden, Die zerstörte Stadt, transcript press, 2007
“Stranded - Skulptur im Bezugsfeld von Reise, Migration und Flucht”, Feature, Springerin 2/07
"LIVE/DEAD", feature, Nolens Volens Magazine, edited by Democracia, Madrid)
Catalogue "Fluchtwege und Sackgassen/Exits and Dead Ends", Festival der Regionen, Oberösterreich (curated by Martin Fritz)
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